"Verhoeven employed the censorship to provoke a discussion on the paternalism of Finnish state."

An interpretation of four international cases in which artists had to adapt their work in order to be able to show it, presented at our meetup Artistiek Kompas.By Errol Boon (06-05-2019)read article

"I found this series to be profoundly fascinating, partly due to its boldness of public confrontation, but also the amazing subtlety with which it carried its message. It was publicly provocative without being overtly confrontational."

'Radical Theatre in Poland', Brian Hashimoto on howlround.com (27-11-2016)read article

"The booth is arranged ceremoniously in front of the Utrecht City hall, a masterstroke (…). On squares like that, you usually find civil statues of heroes and honorary citizens."

‘Geram voor stadhuis Utrecht is subversiever dan kunst van nu’ ('The hammering in front of the Utrecht City Hall is more subversive than art today'), Mirjam van der Linden in De Volkskrant (18-05-2013)read the review (in Dutch)

"Not many passers-by just keep on walking. The performances are confrontational enough to evoke questions."

'Verhoeven bereikt zijn doel' ('Verhoeven achieves his goal'), Peter Zonderland on Theaterkrant.nl (18-05-2013)read the review (in Dutch)

"They are the ones we’d rather not come face to face with in the street, but who now looked straight back at us. In all their vulnerability and insistant humanness."

'Metropolis har sat ansigt på de nøgne og skæve kroppe', Monna Dithmer in Politiken (30-8-2015)read the review (in Dannish)

"It's easy to raise a thumb online to a story on refugees. But what if this refugee is standing in front of you?"

'Vroeger verplaatste ik een vaasje, nu het bankstel', Wouter Hillaert interviewed Verhoeven for De Standaard (07-11-2015)read the article (in Dutch)

"The audaciousness, the meeting, the interrogation, they have once again emerged in the public arena (...) where Dries Verhoeven has placed figures that are recognisable and familiar and yet far removed from the comforting, famous commercial characters.Enough for you to remove your blinkers, to shake your convictions and enough to feed the debate."

'Transcendance, transition, transparence, transmissions', Marie Baudet for LaLibre.be (10-6-2015)read the article (in French)

"The thrill running through our bodies caused by this situation will often be barely explicable and difficult to neutralize.”

'A Glance that triggers movement' Article by Kasia Torz in Klaxon nr 10 (march 2019)lees het artikel (Engels), page 59-69